When working on
choreography, I look at the basic elements of the song (like the number of
beats per phrase), but I also have to step back and look at the song as a whole
(such as, how many times the chorus repeats before the bridge comes in). There are an infinite number of movement
choices in every musical phrase. I
choose which ones to make “real” when I create choreography. In life, every moment presents an infinite
number of response (or behavior) choices.
What we choose to do and say is what becomes “real.” Additionally, what we choose to look at
dictates our state of mind and affects how we experience our lives.
In life, we can often
get stuck, focused on small things that just do not matter in the context of
the bigger picture. I’ve found that when
a person is mad about a particular situation, getting stuck on something small
is a symptom of anxiety rather than a rational response to a problem. This hyper-focus is born of anger and narrows
the array of possible choices. What is
being made “real” is the person’s fear. It
never ends well.
When I was much younger
and getting a divorce, I left my wedding dress at the house I was living in
with my then-husband. I had a crazy
grandmother who was living with my mother at the time. She was enraged because instead of coming
home to them, I chose to live at a friend’s house.
Every day, my grandmother would call and badger me about retrieving my
wedding dress. Apparently, she felt it
was imperative and had to be done NOW.
Of course, that was the least of my worries as I was very sad over the
break-up of my marriage and didn’t care if I ever saw that dress again. But my grandmother would just not let go. She ended up getting the dress from my
soon-to-be-ex-husband and took it to a dry cleaner to be “preserved.”
Can I take a break here
and just stand to the side, look at the larger picture, and ask you, “Crazy?!
Right?!?”
Anyway, she ended up
getting into a HUGE fight with the dry cleaner over the dress. It didn’t help anyone and it certainly didn’t
make me feel better. To this day, I
don’t know what happened to that dress. My grandmother was certain that either the
dry cleaner stole it or my ex-husband was wearing it all over town – I don’t
know what story she told herself. The
point is, in the larger picture it wasn’t about the dress. It was about her rage at not being in control
and how (once again) I’d proven my inadequacy as a granddaughter and human
being.
On the other hand,
focusing on the small things can get you through a tough time by consciously
putting one foot in front of the other.
This is a very different kind of focus.
It’s one of openness to new ways of seeing situations and
experiences. It has to do with staying
in the now. The options one has in this
case widen because the focus is on asking, “What’s the next right thing to
do?” This hopefully springs from love of
oneself and trust that we will know “the
next right thing.” When you put a lot of
“right things” together, you get one really big, good thing.
In the context of dance, small movements sometimes set up the momentum for the bigger dramatic sequences. It’s like a build-up before the leap. In life, every step we make is creating the big picture of our lives and a build-up for the next leap.
In the context of dance, small movements sometimes set up the momentum for the bigger dramatic sequences. It’s like a build-up before the leap. In life, every step we make is creating the big picture of our lives and a build-up for the next leap.
We have no idea what the
big picture is going to look like. We just have to go phrase by phrase, beat by
beat, and trust that if every step is an expression of our heart’s truth, it
will bring us to a beautiful song – or a big picture we are thrilled to see.
Photo by MaryEllen Hendricks
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